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Tuesday, February 7, 2017

Duality and Antithesis in Romeo and Juliet

Romeo and Juliet is obviously a tragedy of imprudent boyish love and its ensuing complications. However, Shakespe atomic number 18 manipulates the absorbed hallucination amid Romeo and Juliet to tousle two feuding families and uses the young lovers romance to connote the paradoxical nature of the play. The date between the Capulets and the Montagues is due(p) to the fact that each regards their family as completely salutary and the new(prenominal) as completely evil. The confabulation between Capulet and Tybalt in make for I.5 is a dramatic change of mind of expectations and the resulting contraries serve as a reminder of the duality of springer and people.\nShakespeare begins Romeo and Juliet with a prologue that insists that the conflict is not between an evil family and an honorable family, but rather between two households, both(prenominal) same in dignity (I.Prologue.1). The prologue illustrates the run away of action of the play as the star-crossed lovers take their life (I.Prologue.6), to run through their parents strife (I.Prologue. 8). The action begins with Romeo forlorn over the unreturned love of his beloved, Rosaline, and the nimble conflict that arrises between members of both houses. The fight between Sampson and Benvolio is the offshoot of the seemingly constant conflict between the two houses that plagues Verona and is a central part of the play. The dueling is do solely on the primer coat of kinship and customary allegiances that label the two families against each former(a) with no justification early(a) than their names. Both families are play off in status and are equal in their scorn for the other with their only fight stemming from their name.\nRomeo and Benvolio attend the Capulet feast in an attempt to compare Rosaline to the breathe of the admired beauties of Verona (I.ii.86). Upon entering the feast, Romeo is at a time lovestruck by a adult female he discovers to be a Capulet. As he is praise the beauty of Juliet Capulet, Romeo completely forgets about(predicate) ...

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